Don't Work (1968-2018)

A year in the life of Elsa Michaud and Gabriel Gauthier, students of Fine Arts in Paris, lovers in troubled times, overwhelmed by maddening verbal and auditory stimuli, witnesses of a globalized violence more visible than ever in a chaotic digital era, in which the slow execution of simple gestures in a silent performance is an act of resistance.

#movieofmylife

Premiered at the 2017 Locarno International Film Festival.

What I Learned at the Harun Farocki Residency

In this video I share my experience as the first Resident of the Harun Farocki Institut in Berlin during the winter of 2016-2017. Produced for the Goethe Institute.

Magnicidios Poe

The sarcastic account of the assassination of five Spanish politicians between 1870 and 1973 is mixed with the narration of five short stories by Edgar Allan Poe illustrated by five skillful pencil artists. A documentary, a video essay, a collage, a provocative experiment where various pop culture figures and icons perform unexpected cameos. The macabre joke of a jester. Never more.

The Making of Transformers the Premake

The mind process behind the film, Transformers the Premake, explained by Kevin B Lee himself.

The Indispensable Practice of Vagueness

By the director: "Ar.Co embodies each person’s geography, it escapes normalisation. Each individual’s experience is his own. This film is my experience, our experience. Pieced together from the school’s archive, from recordings of classes by Manuel Castro Caldas and from conversations at home."

Moving Memories

On April 1st, 2022, my grandfather passed away and i felt lost. I think my path changed when, some days after he passed away, i was offered a small VHS camera. "Moving Memories" is a visual journey that makes the viewer reflect on our momentary presence on earth and questions the nature of memory. Throughout this journey, we get to the conclusion that memories are more than just static photographs in our minds, they're alive and in constant movement, changing while we evolve as individuals. These memories have influence and help us to move on.

Visions of Europe

Twenty-five films from twenty-five European countries by twenty-five European directors.

Oblivion

A lone passenger is reflected in the windows of a train crawling through layers of textures towards Minsk. During his absence, the city has not changed: all the streets are frozen, long-gone voices can be heard in the empty rooms and around the corner you can find yourself in a video game from your childhood.

Bitva o život

Blin Cat

A video essay about a conversation the director had with a friend about a particular picture of a cat sitting in front of a plate of blins.

October in Madrid

Initially a made-to-order documentary on Spain, the film becomes an open-ended work-in-the-making about the creative process. “Settling in the Spanish capital to make a documentary, Hanoun sketches out for us the different steps involved in making a film. The author turns his hesitations, his doubts and difficult working conditions into the constituents of his work”. (Raphaël Bassan)

The Contact Enigma

Three people become connected through mysterious circumstances involving electronic devices which spontaneously appeared in their world.

Searching for the Perfect Gentleman

"Searching for the Perfect Gentleman — an Investigative Journey" is a documentary about the search of an African barber shop poster. The virtual journey takes the viewer to various African, European and Asian countries, in order to find the place where it was originally created, produced and sold. What seems easy in the beginning turns out to be a demanding process, yet an interesting experience in accessing information, communicating with people from totally different backgrounds and indulging in uncertainty, to celebrate the search itself — wherever it may lead. The film shows how boundaries between originality and reproduction merge, in a world where everything can be remixed and reprinted easily. Searching for the Perfect Gentleman tells a multi-layered story about trust, persistence and interconnectedness in a globalized world.

Zaniklý svět Karla Pecky

2006 the only year that i remember

Alberto Van den Eynde's work investigates two conceptions of the image: as a capturer or rescuer of past moments and as a cause of the anguish implied by its recovery. The author's approach to his twelve-year-old self is articulated through a mosaic of vacation videos found in an old family camera. These memories form a touching, nostalgic, self-parody warp, the digital remnants of a new generational sensibility.